140. This setting, both maternal and ecclesial, in which the dialogue between the Lord and his people takes place, should be encouraged by the closeness of the preacher, the warmth of his tone of voice, the unpretentiousness of his manner of speaking, the joy of his gestures. Even if the homily at times may be somewhat tedious, if this maternal and ecclesial spirit is present, it will always bear fruit, just as the tedious counsels of a mother bear fruit, in due time, in the hearts of her children.
218. Peace in society cannot be understood as pacification or the mere absence of violence resulting from the domination of one part of society over others. Nor does true peace act as a pretext for justifying a social structure which silences or appeases the poor, so that the more affluent can placidly support their lifestyle while others have to make do as they can. Demands involving the distribution of wealth, concern for the poor and human rights cannot be suppressed under the guise of creating a consensus on paper or a transient peace for a contented minority. The dignity of the human person and the common good rank higher than the comfort of those who refuse to renounce their privileges. When these values are threatened, a prophetic voice must be raised.
Active Voice And Passive Voice In Tamil Pdf 24
An active listener is one that pays complete attention to the physical details of the speaker, for example, appearance, body language, expressions, etc. which play a crucial role in translating the meaning of the spoken matter. Oppositely, a passive listener neglects the physical aspects of the speaker, as he/she is not really interested in what is being said.
Voice over Internet Protocol (VoIP), is a technology that allows you to make voice calls using a broadband Internet connection instead of a regular (or analog) phone line. Some VoIP services may only allow you to call other people using the same service, but others may allow you to call anyone who has a telephone number - including local, long distance, mobile, and international numbers. Also, while some VoIP services only work over your computer or a special VoIP phone, other services allow you to use a traditional phone connected to a VoIP adapter.
VoIP services convert your voice into a digital signal that travels over the Internet. If you are calling a regular phone number, the signal is converted to a regular telephone signal before it reaches the destination. VoIP can allow you to make a call directly from a computer, a special VoIP phone, or a traditional phone connected to a special adapter. In addition, wireless "hot spots" in locations such as airports, parks, and cafes allow you to connect to the Internet and may enable you to use VoIP service wirelessly.
In each instance of a passive voice construction, the subject denotes the recipient of the action (the patient) rather than the performer (the agent). The agent may be omitted as evinced in the examples above, or it may be included adjunctively as follows:
A form of the verbs be or get typically comprises the stative aspect of the English passive voice construction, and the pertinent passive participle is sometimes called a passive verb.[1]
Use of the passive in English varies with writing style and field. It is generally much less used than the active voice but is more prevalent in scientific writing than in other prose. Contemporary style guides discourage excessive use of the passive but appropriate use is generally accepted, for instance where the patient is the topic, the agent is unimportant (and therefore omitted), or the agent is to be highlighted (and therefore placed toward the end).
The passive voice is a specific grammatical construction. The essential components, in English, are a form of the stative verb be (or sometimes get[3]) and the past participle of the verb denoting the action. The agent (the doer of the action) may be specified using a prepositional phrase with the preposition by, but this is optional.[4]It can be used in a number of different grammatical contexts; for instance, in declarative, interrogative, and imperative clauses:
Though the passive can be used for the purpose of concealing the agent, this is not a valid way of identifying the passive, and many other grammatical constructions can be used to accomplish this. Not every expression that serves to take focus away from the performer of an action is an instance of passive voice. For instance, "There were mistakes" and "Mistakes occurred" are both in the active voice. Occasionally, authors express recommendations about use of the passive unclearly or misapply the term "passive voice" to include sentences of this type.[5] An example of this incorrect usage can be found in the following extract from an article from The New Yorker about Bernard Madoff (bolding and italics added; bold text indicates the verbs misidentified as passive voice):
Two sentences later, Madoff said, "When I began the Ponzi scheme, I believed it would end shortly, and I would be able to extricate myself, and my clients, from the scheme." As he read this, he betrayed no sense of how absurd it was to use the passive voice in regard to his scheme, as if it were a spell of bad weather that had descended on him . . . In most of the rest of the statement, one not only heard the aggrieved passive voice, but felt the hand of a lawyer: "To the best of my recollection, my fraud began in the early nineteen-nineties."[6]
The intransitive verbs would end and began are in fact ergative verbs in the active voice. Although the speaker may be using words in a manner that diverts responsibility from him, this is not being accomplished by use of passive voice.[7]
Many language critics and language-usage manuals discourage use of the passive voice.[8] This advice is not usually found in older guides, emerging only in the first half of the twentieth century.[12] In 1916, the British writer Arthur Quiller-Couch criticized this grammatical voice:
Generally, use transitive verbs, that strike their object; and use them in the active voice, eschewing the stationary passive, with its little auxiliary its's [sic] and was's, and its participles getting into the light of your adjectives, which should be few. For, as a rough law, by his use of the straight verb and by his economy of adjectives you can tell a man's style, if it be masculine or neuter, writing or 'composition'.[13]
The active voice is usually more direct and vigorous than the passive . . . This rule does not, of course, mean that the writer should entirely discard the passive voice, which is frequently convenient and sometimes necessary . . . The need to make a particular word the subject of the sentence will often . . . determine which voice is to be used. The habitual use of the active voice, however, makes for forcible writing. This is true not only in narrative concerned principally with action, but in writing of any kind. Many a tame sentence of description or exposition can be made lively and emphatic by substituting a transitive in the active voice for some such perfunctory expression as there is or could be heard.[14]
In 1926, in A Dictionary of Modern English Usage, Henry Watson Fowler recommended against transforming active voice forms into passive voice forms, because doing so "...sometimes leads to bad grammar, false idiom, or clumsiness."[15][16]
In 1946, in the essay Politics and the English Language, George Orwell recommended the active voice as an elementary principle of composition: "Never use the passive where you can use the active."[17]
Active voice makes subjects do something (to something); passive voice permits subjects to have something done to them (by someone or something). Some argue that active voice is more muscular, direct, and succinct, passive voice flabbier, more indirect, and wordier. If you want your words to seem impersonal, indirect, and noncommittal, passive is the choice, but otherwise, active voice is almost invariably likely to prove more effective.[18]
Use of the passive is more prevalent in scientific writing,[19] but publishers of some scientific publications, such as Nature,[20] Science[21] and the IEEE,[22] explicitly encourage their authors to use active voice.
Krista Ratcliffe, a professor at Marquette University, notes the use of passives as an example of the role of grammar as "...a link between words and magical conjuring [...]: passive voice mystifies accountability by erasing who or what performs an action [...]."[23]
While Strunk and White, in The Elements of Style, encourage use of the active voice, they also state that the passive is often useful and sometimes preferable, even necessary, the choice of active or passive depending, for instance, on the topic of the sentence.[26]
Another advisor, Joseph M. Williams, who has written several books on style, states with greater clarity that the passive is often the better choice.[27] According to Williams, the choice between active and passive depends on the answers to three questions:[27]
A statistical study of a variety of periodicals found a maximum incidence of 13 percent passive constructions. Despite Orwell's advice to avoid the passive, his Politics and the English Language employs passive voice for about 20 percent of its constructions.[8]
In the most commonly considered type of passive clause, a form of the verb be (or sometimes get) is used as an auxiliary together with the past participle of a transitive verb; that verb is missing its direct object, and the patient of the action (that which would be denoted by the direct object of the verb in an active clause) is denoted instead by the subject of the clause. For example, the active clause:
contains threw as a transitive verb with John as its subject and the ball as its direct object. If we recast the verb in the passive voice (was thrown), then the ball becomes the subject (it is "promoted" to the subject position) and John disappears: 2ff7e9595c
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